Data Collection in the Gallery

April 28, 2008

This past Friday I embarked upon my first data collection adventure at the Corcoran. As we had decided that personal interviews would be the best way to collect data, focusing on three questions, I printed out many copies of question sheets and headed up to the American Evolution show. My question sheet consisted of the following: 1) What was the most important factor in your choice to visit the Corcoran today? 2) Were there any other factors that influenced your choice? 3) Did any of the following influence your choice: Expense? Geographical location? Reputation of the Corcoran? Content or reviews of the current exhibit (American Evolution)?

When I reached the second floor, where the A.E. show is, I did a quick walk-through to get a feel for how many people were in the galleries. There were some scattered here and there–not too busy. I quickly realized that I did not feel comfortable approaching visitors while they were immersed in the show, looking at the artwork. They all seemed preoccupied with their looking and/or discussing, and it felt rude/wrong to interrupt them with my questions. So, I assumed a post at the top of the stairs in the central atrium, more specifically just outside the exit door of the last gallery. Having never done research like this in a gallery, I felt a certain level of discomfort that I had not anticipated. It was not until I was actually in the gallery, faced with the very real situation of approaching visitors that I felt this nervousness. That said, I found myself unable to even approach the first couple that exited the galleries. I let them walk right by me, needing another minute to adjust to the setting and task.

One this first couple passed, I began my questioning. Right away, I began to notice several things about the process:

I had to think carefully about how to approach people, what to say that would make them willing to listen to me and answer my questions.

I noticed almost immediately that it was helpful to ask them to answer a few QUICK questions. Most people seemed reluctant to committ to anything that would not be quick. (Maybe this was one downside of standing at the exit, when people were done with the show.)

Asking the visitors if they had been to the Corcoran before seemed like a more natural way to open up/begin the questioning, because many of the answers to the first question related to this fact. After the first few people, I began to ask everyone this question and record their answer.

I quickly realized that in our third question, the “expense” factor seemed irrelevant. I don’t think it is the correct way to get at what we are trying to–information about how the price of Corcoran tickets affects visitors. I realized that if the visitors were at the Corcoran, they had already proven that price/expense was not a factor for them. It did not deter them from visiting obviously. I know we had discussed this at some point, but ultimately decided to include it. After doing the actual data collection, this seems irrelevant to me.

Some of the visitors, (because they saw me standing there or not, i don’t know) made such a quick turn and exit down the stairs that I could not even approach them. This cut down a little bit on the number of visitors I could question.

Another tactical issue was that a few times, a larger group of people would exit at the same time, causing me to miss out on several visitors, as I could only question one or one couple at a time. This posed a bit of a problem because there was not a steady stream of visitors exiting the show. In two hours, I was only able to interview 12 people/couples. This also brought up the issue of, how do we differentiate between individuals and couples who are clearly visiting together and have the same answers to my questions? Is this an issue at all? Should we just consider these couples as one, or are their answers marked as two responses?

After my data collection, I began to think that the questions we are asking are just not that interesting, or not going to reveal the type of information we are looking for. As I talked with the visitors, I also began to think that maybe questions regarding the show, and their expectations of it, impressions of it, would be more interesting to research. It might be more difficult to quantify the info we get, but it would definitely lead to more fruitful answers from the visitors. Should we think about changing our topic like this? or is it too late?

Entry Filed under: ED 5100. .

2 Comments Add your own

  • 1. Farolyn Taylor  |  April 29, 2008 at 1:07 am

    I enjoyed reading this reflection. I experienced similar feelings toward approaching people in the gallery. Most of the people I spoke with were enjoying the art but I did feel out of place and on someone else’s time. I do think that your new question will be more inviting and thought-provoking for you as well as the museum visitors. While in the gallery, I wondered if the visitors were satisfied. There were all types of people, young and old, some excited and graciously walking through and some did not seem excited at all and briskly walked through not even taking the time to view each piece.

  • 2. moana  |  April 29, 2008 at 1:15 am

    Great work! I agree that questions about impressions and fulfillment of expectations yield more interesiting results. Only after the survey is fulfilled will we know if the answers we recieve will be groupable or so diverse that they will not create a clear picture. I think that we will recieve some wacky answers but for the most part, visitors responses will file under a few catagories.

    I also experienced the same fear of bothering viewers in the gallery though i found that when i engaged them in the gallery setting there were two types of responses. 1st, they thouight i was working for the Corcoran andreally wanted to give feedback. Some of these discussions were mostly art speak and i gathered that these were more experienced viewers. 2nd some people seemed afraid and put on the spot. Like they did not know what to say or did not have a fully formed opinion yet.

    Surprisingly no one acted hurried or said they were too busy to talk. I guess that is the funny thing about catching people when they are in the act of viewing the art. Its not like they can say they are too busy. Busy doing what? Looking at are i guess! :) Maybe because art is viewed as a leisure and enrichment activity in our society. I wonder what kinds of questions will be most intriguing…Any thoughts on asking what was the best/worst part of show? Does this question imply only art or does it hav emore general musem implications…?

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