GRADING (assessment special blog)
February 19, 2008
As I began to think more specifically about grading, I recalled our discussion in class last week about pre-assessment and post-assessment. In the future art class I imagine teaching, I think pre-assessment would be an essential element in the grading process. While I can see pre-assessment being fairly informal, I do think it is important to determine each student’s artistic ability and history as best one can at the beginning of a class/semester etc. In reality, this could happen through sitting down for five minutes with each student, discussing past work, and viewing a few examples if they were available. Obviously, a focused pre-assessment like this would also depend on the grade level/student audience one is teaching. I don’t see it being as important with younger students, below middle school, for example. I also think pre-assessment could become more useful the older and more mature students become. The older a student is, the more chance there may be for varying artistic backgrounds and experience within a class population.
This idea of pre-assessment precludes a grading philosophy that is based not just on final product, but on progress and improvement over the course of time. While I think pre-assessment of a student’s level would be valuable to a teacher in general, it could be used to form a concrete course grade based on several factors, specifically including student growth. Obtaining some knowledge of a student’s ability and past work would also help a teacher form a better idea of how much effort was put forth by the student. While effort level can also be determined from a teacher’s observation of class work, attendance, and class participation, possessing at least an informal idea of where individual students is valuable information.
All this talk of pre-assessment leads to the idea that I am much more comfortable giving a grade in art class if I know how far a student has progressed. I would make it clear to students at the beginning of a class that the final grade would not be solely a reflection of a final project/work, but rather a combination of different elements such as effort, craft, thoughtful reflection and response. As a teacher, I think the things I would be most concerned about achieving in the art room would be related to student growth, creative problem solving, and critical thinking. A final product will not necessarily be a good indicator of a grade in these areas. I would try to incorporate my own pre-assessment of student ability/history, as well as have students complete written work at the beginning and end of a project, as appropriate. I think students should learn to write about art and what they are trying to communicate/achieve with their pieces. While these written pieces can be short, they should provide a tool to assess both student progress and student understanding. I would also use critique to assess and help formulate grades, though I also think it is extremely important to always have a clear rubric to accompany a critique that leads to a grade. If student’s are presenting their work to their teacher and classmates in critique, comments should clearly reflect how a piece was or was not successful in terms of rubric criteria. I believe this puts a more even responsibility on the student to earn his/her grade rather than to feel like a teacher is the ultimate, subjective decisive power in grading. In the art class, where questions of subjectivity always have the potential for blurriness, I think clarity from the teacher on what s/he is expecting can help eliminate feelings of unfairness.
I am curious as to what others think about using the student progress or growth factor as part of a final grade. Do you think this is fair, as it would place less emphasis on final product? Do you envision is at being too hard to carry out and/or justify to curious students/parents?
Entry Filed under: Art Education, ED 5100. .
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bawakate | March 4, 2008 at 8:41 pm
This is a belated comment on your ideas about grading.
I like your emphasis on transparency of teacher expectations, as in the critique rubric and the student pre- and post-product writing activity. I think this activity would develop not only writing skills in relation to art (‘art criticism’, see Marivan Bartel’s exercise for example) and of course self-reflection skills BUT also provide a way to look at expectations. Here is where I see you as a teacher being ‘meta-cognitive’ in your use of authentic assessment tools. Writing about art is a real-world skill as is the ability to deal with your own expectations (pre-project, teacher and student) and the product (post-wrting, rubric-ed critique.)
As an artist I tend to have big ideas and great expectations of my ability to produce work (a certain type, certain size, certain quantity, whatever) AND then can be frustrated by my actual attempts at production. This then relates to risk-taking, “Can you take the risk to try making what you see in your imagination?” and the artistic process of making a mistake, elaborating, trashing, trying again. I think this is where you could bring in the ‘growth factor’ for grading and the art classroom in general. I very much agree that the art room is a place to measure growth and not necessarily only the product. If you define growth as the increasing ability to… creatively solve problems, think critically, and exert sustained effort (your own words modified) I think you could arrive at more measurable components for a ‘growth factor’ rubric. I would use caution here to not define growth as the ability to do what the teacher told you to do, “You need to draw a middle-ground in your picture” (is this the declarative knowledge in our “English Language Arts article?). I think you want to focus on the students’ ability to engage and navigate the artistic process. This is taking risks, trying new methods, mediums, etc. You could even include better writing skills (greater ability to describe, evaluate) and greater ability to participate in class critique (use vocab, show insight). BUT these last two items border on the ‘declarative knowledge’ side of things.
I would like to see you draft this rubric and we could maybe play with it in class. I envision you walking around you classroom with a clipboard with your ‘growth rubric’ taking note of how many risks each kid took, how many time they got frustrated and successfully recovered, and what else?